Sydney’s Museum of Contemporary Art (MCA) is showcasing a retrospective exhibition called “Time Machine” showcasing renowned Japanese artist Hiroshi Sugimoto and is currently open until October 27.

This is the first of Sugimoto’s work in Australia on display, being renowned for his ability to blend photography with philosophical inquiry.

His works challenge conventional perceptions of reality, particularly through his “Theaters” series, which captures the unique interplay of light and shadow in historic cinemas.

“I always think of the camera as a kind of time machine, I’m not looking to the future, I’m looking to the past, going back to study the origins of human beings and human civilisation. I want to ride in a time machine to go back and see the beginning,” said Sugimoto in his artist statement.

The exhibition also features his seascapes and architectural photographs, encouraging contemplation of time and existence.

According to Francis, an employee at the MCA, says the exhibit has drawn considerable attention while attracting both locals and tourists.

“For the visitor coming into the exhibition they walk away knowing that this is an artist that has an incredibly curious mind and the execution of his works are unfolding with many different ideas in each room that really draw you into the work,” Francis said.

Many attendees have remarked on Sugimoto’s capacity to transform ordinary subjects into thought-provoking art. The MCA has reported increased attendance, and as the closing date approaches, they expect visitor numbers to rise further.

To accommodate for growing interest, museum officials advise making bookings when coming to view the exhibition. This approach ensures a smooth experience and allows visitors to engage fully with Sugimoto’s work before it departs from the MCA.

As the final days of the exhibit draw near, the MCA continues to emphasise the significance of this opportunity to explore Sugimoto’s artistry. With limited time left, the chance to see these pieces in person is diminishing, making it essential for art enthusiasts to seize the moment before the exhibit concludes.